Willie Nelson's scratchy tenor and familiar guitar are the two constants on his new album of duets called 'To All the Girls.' The project is an enormous collection of female talent -- mostly country, but some not, most well-known, but a few still relatively unheard of. There's a pleasing variety, yet none steer too far from what Nelson has released in the last half-decade.
Cassadee Pope's debut album 'Frame by Frame' is a young woman's record. She refers to "boys" and "girls" and sings of things like her parents' divorce and falling in love in the front seat of an old car. The production straddles both pop and country, using phasers and Gwen Stefani-inspired stomps alongside fiddle and acoustic guitar. It's a mix that will be unique on country radio.
'Stay' is the most important song of Florida Georgia Line's young career. The heartbreaker finds the two cocksure men bleeding and knocked down a few steps from the truck bed they confidently stood in for their first three singles. To sustain a lengthy country music career, Brian Kelley and Tyler Hubbard need to prove they're a well-rounded duo.
Billy Currington adds a pinch of rock, two tablespoons of R&B and a heavy dose of soul to his new 'We Are Tonight' album. The result is a project that tastes different, but remains true to a sound he's cultivated over the last decade.
Sheryl Crow didn't need to change much to fit in with Nashville's top female vocalists, and on the best songs from her 'Feels Like Home' album, she didn't. An easy (no pun intended), direct delivery serves the "newcomer" well.
Two artists not known for their duets come together on Keith Urban's 'We Were Us.' The second single from 'Fuse' features Miranda Lambert as co-lead vocalist. It'd be woefully inaccurate to call this simply a "guest appearance," as it's her voice that opens the song.
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